{"id":2949,"date":"2025-02-18T19:39:24","date_gmt":"2025-02-18T17:39:24","guid":{"rendered":"https:\/\/www.meriwestlin.fi\/?page_id=2949"},"modified":"2025-02-19T18:51:43","modified_gmt":"2025-02-19T16:51:43","slug":"garderobi-faa","status":"publish","type":"page","link":"https:\/\/www.meriwestlin.fi\/en\/garderobi-faa\/","title":{"rendered":"Garderobi FAA"},"content":{"rendered":"
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2022 Garderobi FAA<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tGarderobi 22\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tFinlayson Art Area\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tFinlayson Art Area\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tFinlayson Art Area\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tFinlayson Art Area\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tFinlayson Art Area\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tGarderobi 22, 7 p\u00e4iv\u00e4\u00e4\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tFinlayson Art Area\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tHepeneet, K.H. Rehnlundin museo, Kokkola\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tHepeneet, K.H. Rehnlundin museo, Kokkola\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tHepeneet, K.H. Rehnlundin museo, Kokkola\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tGarderobi 2018\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tRenessanssi 2016\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tS\u00c4R\u00d6-n\u00e4yttely, Porvoon taidehalli\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tOnni 2001\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tTaidetekstiilin\u00e4yttely, Keskisuomen museo, Jyv\u00e4skyl\u00e4\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tLove Letter 2000\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tLove Letter 2000\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tJuhannusmorsiamet 1998\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tPurnun kes\u00e4n\u00e4yttely, Orivesi\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tPohjoiskarjalainen Haute Couture 1997\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tM\u00e4nt\u00e4n kuvataideviikot\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Mekot ja uimapuvut nousevat portaikkoon<\/p><\/div><\/div>

MERI WESTLIN on kutonut metallilangasta ilmavia, miltei aineettomia vaatteita tai vaatteiden torsoja, kuten h\u00e4n itse niit\u00e4 kutsuu. Kyseess\u00e4 on sarja keveit\u00e4 veistoksia, jotka yhdess\u00e4 muodostavat installaation Finlaysonin vanhaan teollisuustilaan.<\/p>

Kaikki l\u00e4hti siit\u00e4, kun Finlayson Art Arean kuraattori ja johtaja Pertti Ketonen n\u00e4ki Joensuun taidemuseon kokoelmassa Meri Westlinin kudottuja mekkoja, veistoksia, jotka ovat aineettomia ja keveit\u00e4. Westlinin teos Pohjois-Karjalainen Haute Couture oli esill\u00e4 vuonna 1997 Honkahovissa ja sen puistossa osana M\u00e4nt\u00e4n kuvataideviikkoja. Sielt\u00e4 se on jakautunut eri kokoelmiin ja eri omistajille.<\/p>

Ketonen kutsui samanhenkisen kokonaisuuden nyt 25 vuotta my\u00f6hemmin Tampereelle, aivan erilaiseen ymp\u00e4rist\u00f6\u00f6n. Kes\u00e4inen kartanoilmapiiri vaihtui tehdassaliksi ja kietoutui puuvillatytt\u00f6jen tarinoihin.<\/p>

Melu, p\u00f6ly ja kuumuus<\/p>

Westlin on kokonaisuutta varten keskustellut el\u00e4kkeell\u00e4 olevan Eeva Vuorelan kanssa. Vuorela ty\u00f6skenteli Finlaysonilla kutojana 41 vuotta. Ty\u00f6 oli urakkaty\u00f6t\u00e4 koneen \u00e4\u00e4ress\u00e4, ensin p\u00e4ivisin ja sitten kolmivuoroty\u00f6n\u00e4. Melu, p\u00f6ly ja kuumuus olivat ty\u00f6ss\u00e4 l\u00e4sn\u00e4.
Ty\u00f6 kutojana oli konetahtista ja ruokailut hoidettiin alkuvuosina ty\u00f6n ohessa. V\u00e4liaikoja ei ollut eik\u00e4 juhlia j\u00e4rjestetty, uimassa k\u00e4ytiin vapaap\u00e4ivin\u00e4 ja koneen iskut m\u00e4\u00e4r\u00e4siv\u00e4t tahdin. Ne k\u00e4viv\u00e4t keskeytyksett\u00e4 ymp\u00e4ri vuorokauden.<\/p>

Vuorelan kertomukset inspiroivat Westlini\u00e4 luomaan teoksen, joka on kunnianosoitus puuvillatehtaan ty\u00f6ntekij\u00f6ille. Suurin osa heist\u00e4 oli niin sanottuja puuvillatytt\u00f6j\u00e4, ja heit\u00e4 ajatellen installaatiosta l\u00f6ytyy siroja mekkoja ja hentoja uimapukuja.
\u2013 Vanha portaikko, jossa teoskokonaisuus sijaitsee, on upea. Ihastuin siihen heti, Westlin sanoo. \u2013 Metalliportaissa ovat k\u00e4velleet jo tehtaan ty\u00f6ntekij\u00e4t aikoinaan. Luon siihen kuparilankaa kutomalla kolmenkymmenen mekon ja uimapuvun kokonaisuuden, joka luo esteettisen, melkein l\u00e4pin\u00e4kyv\u00e4n tilan.<\/p>

Maalauksia M\u00e4ltinrannassa<\/p>

Meri Westlin on viime vuosina opittu tuntemaan p\u00e4\u00e4asiassa ekspressiivisist\u00e4 maalauksista. H\u00e4n maalaa sek\u00e4 perinteisesti kankaalle ett\u00e4 tekee erilaisia spray- ja sapluunavariaatioita paperille. H\u00e4nen edellinen n\u00e4yttelyns\u00e4 Galleria Himmelblaussa piti sis\u00e4ll\u00e4\u00e4n Kasvisto-nimisen sarjan isoja mustavalkoisia teoksia. Ne manifestoivat lajikatoa ja ihmisen vaikutusta ymp\u00e4rist\u00f6\u00f6ns\u00e4.<\/p>

Nyt Finlayson Art Areassa esill\u00e4 oleva installaatio on er\u00e4\u00e4nlainen paluu juurille: k\u00e4sill\u00e4 tekemist\u00e4 siten, ett\u00e4 my\u00f6s aihe ja tarina ammentavat k\u00e4sill\u00e4 tekemisest\u00e4.
Hein\u00e4kuussa on mahtava tilaisuus n\u00e4hd\u00e4 Meri Westlinin ty\u00f6skentelyst\u00e4 kaksi eri puolta, kun vierailee Tamperetta halkovan kosken molemmilla rannoilla. H\u00e4nen maalauksistaan koottu n\u00e4yttely on n\u00e4ht\u00e4viss\u00e4 Taidekeskus M\u00e4ltinrannassa, ihan Finlaysonin alueen tuntumassa.<\/p>

\u2013 Uudet maalaukseni rakentuvat v\u00e4rin voimaan. Sommittelua rytmitt\u00e4v\u00e4t kasvien metamorfoosit ja ne haparoivat rimakasat, jotka j\u00e4\u00e4v\u00e4t j\u00e4ljelle luonnon kiertokulusta.
Uusissa maalauksissa esiintyy kasveja menneisyydest\u00e4, nykyhetkest\u00e4 ja tulevaisuudesta. Tulokulma on valoisa, v\u00e4rik\u00e4s ja positiivinen. Ennen kovin mustavalkoinen kasvisto muuttuu puutarhaksi, puutarha paratiisiksi.<\/p>

\u2013 N\u00e4in\u00e4 ep\u00e4varmuuden ja levottomuuden aikoina minulle ei j\u00e4\u00e4 muuta mahdollisuutta kuin maalata hiljaisen pellon pakahduttava kauneus, Westlin miltei julistaa.<\/p><\/div><\/div>

Veikko Halmetoja<\/p><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Meri Westlin: Garderobi22 Finlayson Art Area 2022<\/p>

From metal wire, Meri Westlin has woven airy and almost intangible clothes, or torsos of clothes as she herself calls them. The series of lightweight sculptures forms a high-rising installation, Garderobi 22 (\u2018Wardrobe 22\u2019), in the old Rautarappu. This handsome lace-like staircase was brought to the Finlayson factory from Manchester in 1875.<\/p>

When preparing the work, Meri Westlin has talked to Eeva Vuorela. Now retired, Vuorela worked at Finlayson as a weaver for 41 years. Vuorela\u2019s stories inspired Westlin to create a work that is a tribute to the workers at the cotton mill. Most of them were so-called cottonwool girls, and for them, the installation features delicate dresses and slender swimsuits. \u201cThe old staircase where the work is located is magnificent. I fell in love with it right away\u201d, Westlin says. \u201cThe factory workers have walked these same metal stairs in the past. By weaving copper wire, I create a set of thirty dresses and swimsuits there that create an aesthetic, almost transparent space.\u201d The sculptures in the installation sway gently in the airflow awakened by passers-by. It is as if the spirit of the cottonwool girls is still whispering in the space.<\/p>

Meri Westlin is a visual artist from Tampere who works at Nansotalo in Nokia. Westlin graduated with a master\u2019s degree in art from the University of the Arts in Helsinki (now Aalto University) in 2001. She also graduated from the Kuopio Academy of Design in 1987 as a designer in the field of handicrafts and arts and crafts. During her career, Westlin has created large community works with various groups of adults and young people, and has participated in several fine art events in addition to solo exhibitions. In Tampere, many people are familiar with Westlin\u2019s colourful lynx-themed paintings and the black and white KASVISTO (\u2018Herbary\u2019) series. In her paintings, Westlin has covered a number of themes: animal subjects as well as aircraft engines, toys and handicraft catalogues.<\/p>

Katja Villemonteix, Finlayson Art Area, FAA producer, Mikko Heinonen, in English.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

2022 Garderobi FAA Garderobi 22 Finlayson Art Area Garderobi 22 Finlayson Art Area Garderobi 22 Finlayson Art Area Garderobi 22 Finlayson Art Area Garderobi 22 Finlayson Art Area Garderobi 22 Finlayson Art Area Garderobi 22, 7 p\u00e4iv\u00e4\u00e4 Finlayson Art Area Garderobi 22 Finlayson Art Area Garderobi 2018 Hepeneet, K.H. Rehnlundin museo, Kokkola Garderobi 2018 Hepeneet, […]<\/p>","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-2949","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nGarderobi FAA Meri Westlin<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.meriwestlin.fi\/en\/garderobi-faa\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Garderobi FAA Meri Westlin\" \/>\n<meta property=\"og:description\" content=\"2022 Garderobi FAA Garderobi 22 Finlayson Art Area Garderobi 22 Finlayson Art Area Garderobi 22 Finlayson Art Area Garderobi 22 Finlayson Art Area Garderobi 22 Finlayson Art Area Garderobi 22 Finlayson Art Area Garderobi 22, 7 p\u00e4iv\u00e4\u00e4 Finlayson Art Area Garderobi 22 Finlayson Art Area Garderobi 2018 Hepeneet, K.H. 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